In Coralie Fargeat's new feminist terror film The Substance, hazardous popular charm specifications are the true monsters. They (women objectification, the fingertip of "the old," the spread of a field improved body system adjustment) nourish a creature of a cycle that leads Demi Moore's fading TV individuality character Elisabeth https://watchpuppetmasteraxisofevil.timeblog.net/65856976/margaret-qualley-the-substance